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Stanley Leary
Real People - Real Moments

Get Out Of Your Seat

April 20, 2010

Volume 6, Number 7

News

Stanley is one of the speakers for the National Press Photographer's "Convergence 10" in Charleston, SC in July this year. Here is a link to the event.


Stanley has a workshop for those who want to learn about how to do photography as a business. Here is a link to information on it http://www.stanleyleary.com/Workshops.htm

In This Issue

Get Out Of Your Seat

Information about Stanley

http://www.StanleyLeary.com/Newsletters/Images/2010-02-07%2011-16-11.JPG

Speaking Engagements

National Press Photographers Association
Guest Speaker, July 2010
Speaking on business practices for the photojournalists who want to shoot for corporations.

University of Georgia
Guest Lecturer, September 2009
Speaking on business practices for the freelancer.

University of Nations, Kona, Hawaii
Guest Lecturer, Feb 2010
Teaching Lighting, Portraiture and Business Practices in School of Photography program.

Recent e.Newsletters

Stop Selling Nails.
April 1, 2010
Are you selling a commodity or a service?

It's not all about me, but it all depends on me.
March 18, 2010
How to grow your business..

Give yourself an assignment -- you will be glad you did
February 22, 2010
On your next trip there are a few things you can do to improve your pictures

Finding and keeping clients
February 1, 2010
Where do you find clients and then what do you say?

Effective Visual Presentations for NGOs
January 16, 2010
How can non-profits using photography more effectively?

Tips On Hiring A Photographer
January 1, 2010
Want to know how to get the most for your money out of a photographer?

Digital Photography -- A Real Stimulus Package
December 14, 2009
How digital photography can change your photography.

Learning From The Masters
December 1, 2009
What is personal style all about?

Three Useful Doohickeys
November 1, 2009
Here are three gizmos that can make your life easier if you shoot photos for publications.

300 PPI
October 13, 2009
"The magazine that is going to publish my pictures says the images must be at least 300 ppi.  How do I change the resolution to 300 ppi?"

Come Along
October 7, 2009
I guess you just had to be there—is something we say when we fall short of capturing the story in words alone.

Collaboration
October 2009
The difference between two parties who compromise or collaborate is huge.

Public Speaking for Communicators: How do people learn?
September 2009
Teachers are graded on how well their students do, not on what they know.  So to are speakers graded. What will the audience remember from your talk?

Informative or Just Eye Candy?
August 2009
Many professional communicators see the visual as a “hook” for the written story.  Using visuals as “eye candy” can make the reader stop and, at least, start to read the article.

Do Your Photos Provide Context For Your Subject?
July 2009
Just because it is a photo, doesn't mean it is worth 10,000 words. Many photos have impact and can get your attention, but they could do even more.

Social Networking
June 2009
Social Networking is big due to a few things happening around the same time.

My Investment Advice
May 2009
Photographers need to invest wisely and I have a thought about it.

What about the audience
April 2009
As professional communicators we usually determined who our audience is, but have we considered how the how they learn.

Teaching is a great way to learn
March 2009
I am reminded each time I teach that this is a great way to get better at this craft.

The Psychology of the Telephoto Lens
February 2009
“What I need is a telephoto lens.”  We’ve all said this.  The professional photographer reaches for the lens for many reasons.

The Psychology of the Wide-Angle Lens
January 2009
Some folks choose a telephoto lens to see how close a subject can appear to be - to say a bear, for instance. These same people doubtlessly chose a wide-angle lens so they can get-it-all-in the picture, usually a landscape picture.

Equipment Used

This recorder lets you record in WAV or MP3 recording to compact flash card.

I have always used Nikon cameras and lenses through my career.  They have a great line of cameras and lenses for any job.

Contact Us

The other night I attended a lacrosse match at the local high school. I went as a spectator. This is rare for me to be at a sports event without my camera equipment.

It was interesting to watch the parents photographing the game. A couple of them were on the sidelines, but the majority stayed in their seats in the stands.

Everyone was shooting with digital cameras. From the simplest cameras to most professional equipment they all had similar focal length lenses that would zoom out to about 200 mm (equivalent on a 35 mm camera).

At this high school lacrosse match the parents were not being kept off the sidelines by anyone. They kept themselves back from the action!

The difference between what each person was able to photograph varied greatly because of where they were in relationship to the action on the field.

If you want better photos of your kids playing sports (or doing almost anything else) get as physically close to the action as you can. Of course, use some common sense and don’t get in the way of the game or the fans and in a safe spot for you as well.

A famous war photographer said something that applies to sports photography just as it does to war photography. “If the pictures aren’t good enough, you’re not close enough.”

Another key to improving your shots, besides getting out of your seat, is to hold your camera still. The longer the focal length the shakier it can become. Use a monopod. They sell for about $30. I like the Manfrotto Modo 790B Monopod. This will help keep your camera steady and improve the image sharpness. It is easier and faster to use than a tripod.

Most folks stand up when taking pictures. It’s more comfortable than squatting or resting on your knees, but it doesn’t usually give you the best action shots. If you are low to the ground you are shooting up at the athletes. This actually makes them seem more heroic. Shooting from a low angle makes them appear higher off the ground than they are. Staying low on the sidelines is also courteous to the fans in the stands.

track

Another trick: Be where they are going – not where they are. Get down field and shoot back at the players. Now when the big play happens it is coming to you, not away plus you can see their facial expressions.

If the sport you are covering has a ball keep asking yourself this question: Where’s the ball? Most of the peak action, the strong expressions and the competition will be around the ball. This rule doesn’t apply to all your shots, but it is a good one to keep in mind.

If you were covering football you would be on opposite ends of the field depending on if you are covering the offense or defensive players. You want to see the player’s faces and close as possible. The grimaces will show the intensity of the play.

With digital cameras you can take ten pictures, a hundred pictures or even a thousand pictures for about the same cost. So take lots of photos to capture the best moments.

Your kids will probably play these sports for just a few years. Having good photos, in which they can recognize themselves, will be something they cherish for a lifetime.

So get out of your seat and get close to the action. You (and your kids) will be glad you did.

Let’s sum it up:

  • Get closer.
  • Use a monopod. Fuzzy Photos don’t count
  • Get down, and shoot up – make them heroes.
  • Stay ahead of the action.
  • Where’s the ball?
  • Show the faces/capture the emotion.
  • Take more pictures, it improves your odds.
  • Enjoy the photography and your kids.